For creators who script

Your eyes give away the script.

Every glance at your notes mid-sentence, your viewer feels — even if they can't say why. Eyeline finds those moments in the cut you already exported, and fixes only the ones that matter.

Your last 5 videos, every instance, timestamped. No card, no install.

Your footage
With Eyeline
Gaze report16:12 · 27 instances
What you get

A report, not a black box.

Eyeline reads every frame of your video, not a sample, and tells you exactly where your gaze left the lens while you were mid-sentence.

27
instances found in a typical 16-minute video
6.2s
longest single glance away from camera
100%
of frames checked — no sampling, no guessing
How it works

Three steps, no re-record.

01

We scan the whole video

Every frame, start to finish, comparing where your eyes point against where your head points.

02

You see every instance

A timestamped list with before and after for each. Keep the glances that feel human. Fix the ones that don't.

03

Export and publish

Only the eye region changes, so your lip sync, gestures and framing come back exactly as you cut them.

Why not the toggle in your editor

Because a global switch is why corrected eyes look dead.

People glance around while they talk. That's normal — and flattening all of it is exactly what produces the fixed, uncanny stare everyone complains about.

A one-click toggle

  • Corrects the whole clip, or none of it
  • Flattens natural glances along with the script-reading
  • Generic eyes, not yours — the source of the stare
  • No way to see what it changed

Eyeline

  • Fixes only sustained moments you were reading
  • Leaves natural eye movement completely alone
  • Learns your eyes from your own back catalogue
  • Every change shown to you first, and reversible
Early access

See your own gaze report first.

We're scanning a small group of channels before launch. Drop your email and we'll send yours — your last five videos, every instance, timestamped.

One email with your report. Nothing else unless you ask.